Limited edition of 10 of A4, A2 and A3 2 of 10
This photograph was made in a moment when the city receded and history felt close enough to touch. The fog was not anticipated or staged; it arrived quietly, transforming Old Parliament House from a familiar civic landmark into something ambiguous and suspended in time. I chose not to resist that transformation.
The bronze figures appear mid-stride, forever advancing yet never arriving. In the fog, they are no longer simply sculptures of senators, but stand-ins for the human presence behind institutions, individuals moving through uncertainty, carrying responsibility forward without knowing how history will ultimately remember them. The mist softens their authority, reducing power to gesture and silhouette.
Light plays a deliberate role. The warm glow behind the figures suggests memory and continuity, while the cool darkness ahead speaks to the unknown. The building itself becomes less an object and more an idea, a place where decisions once shaped lives, now partially obscured, receding into collective memory.
I am drawn to the quiet moments after purpose has passed, when places remain but meaning shifts. This image is not about politics as action, but politics as residue, what lingers once voices fade and buildings outlive their original function.
Into the Fog of History invites the viewer to stand where certainty dissolves, and to consider how history is not a fixed record, but something we walk into without clarity, guided only by what we choose to carry forward.
Printed on museum-grade archival paper, each piece is signed, numbered, and accompanied by a certificate of authenticity.
Limited edition of 10 of A4, A2 and A3 2 of 10
This photograph was made in a moment when the city receded and history felt close enough to touch. The fog was not anticipated or staged; it arrived quietly, transforming Old Parliament House from a familiar civic landmark into something ambiguous and suspended in time. I chose not to resist that transformation.
The bronze figures appear mid-stride, forever advancing yet never arriving. In the fog, they are no longer simply sculptures of senators, but stand-ins for the human presence behind institutions, individuals moving through uncertainty, carrying responsibility forward without knowing how history will ultimately remember them. The mist softens their authority, reducing power to gesture and silhouette.
Light plays a deliberate role. The warm glow behind the figures suggests memory and continuity, while the cool darkness ahead speaks to the unknown. The building itself becomes less an object and more an idea, a place where decisions once shaped lives, now partially obscured, receding into collective memory.
I am drawn to the quiet moments after purpose has passed, when places remain but meaning shifts. This image is not about politics as action, but politics as residue, what lingers once voices fade and buildings outlive their original function.
Into the Fog of History invites the viewer to stand where certainty dissolves, and to consider how history is not a fixed record, but something we walk into without clarity, guided only by what we choose to carry forward.
Printed on museum-grade archival paper, each piece is signed, numbered, and accompanied by a certificate of authenticity.
